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Oil Paintings Come From United Kingdom
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

 

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Anthony Van Dyck Arrest of Christ oil painting

Painting ID::  32911

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Anthony Van Dyck
Arrest of Christ
mk84 11618-20 Madrid,Prado,canvas 344x249cm
   
   
     

 

 

Anthony Van Dyck Portrait of a Member of the Balbi Family oil painting

Painting ID::  33655

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Anthony Van Dyck
Portrait of a Member of the Balbi Family
mk86 c.1625 Oil on canvas 132.7x120cm
   
   
     

 

 

Anthony Van Dyck Susanna and  the Elders oil painting

Painting ID::  33694

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Anthony Van Dyck
Susanna and the Elders
mk86 c.1621/22 Oil on canvas 194x144cm Munich,Bayerische Staats-gemaldersammlungen,Alte Pinkakothek
   
   
     

 

 

Anthony Van Dyck St Martin Dividing his Cloak oil painting

Painting ID::  33695

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Anthony Van Dyck
St Martin Dividing his Cloak
mk86 c.1618 Oil on panel 171.6x158cm Zaventem,St Martin
   
   
     

 

 

Anthony Van Dyck Portrait of Maria Louisa de Tassis oil painting

Painting ID::  33696

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Anthony Van Dyck
Portrait of Maria Louisa de Tassis
mk86 c.1630 Oil on canva 130x93.5cm Vaduz,Funst Liechtensteinische Gemaldegalerie
   
   
     

 

 

Anthony Van Dyck The Count of Arundel and his son Thomans oil painting

Painting ID::  33697

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Anthony Van Dyck
The Count of Arundel and his son Thomans
mk86 1636 Oil on canvas 187x162cm Madrid,Museo del Prado
   
   
     

 

 

Anthony Van Dyck Equestrain Portrait of Charles I oil painting

Painting ID::  33698

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Anthony Van Dyck
Equestrain Portrait of Charles I
mk86 c.1635-1640 Oil on canvas 367x292.1cm London,National Gallery
   
   
     

 

 

Anthony Van Dyck James Seventh Earl of Derby,His Lady and Child oil painting

Painting ID::  38153

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Anthony Van Dyck
James Seventh Earl of Derby,His Lady and Child
mk29 1632-41 246.2x213.7cm
   
   
     

 

 

Anthony Van Dyck Marchesa Giovanna Cattaneo oil painting

Painting ID::  38223

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Anthony Van Dyck
Marchesa Giovanna Cattaneo
mk29 1622-27 Oil on canvas 102.6x86.4cm
   
   
     

 

 

Anthony Van Dyck Self-Portrait oil painting

Painting ID::  39484

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Anthony Van Dyck
Self-Portrait
mk149 Late 1620s-Early 1630s
   
   
     

 

 

Anthony Van Dyck The mystic marriage of the Blessed Hermann Foseph with Mary oil painting

Painting ID::  39667

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Anthony Van Dyck
The mystic marriage of the Blessed Hermann Foseph with Mary
mk150 1630 Canvas 160x128cm
   
   
     

 

 

Anthony Van Dyck Samson and Delilah oil painting

Painting ID::  39668

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Anthony Van Dyck
Samson and Delilah
mk150 c.1628/30 Canvas 146x254cm
   
   
     

 

 

Anthony Van Dyck Portrait of a young general oil painting

Painting ID::  39669

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Anthony Van Dyck
Portrait of a young general
mk150 c.1624 Canvas 115.5x104cm
   
   
     

 

 

Anthony Van Dyck Nicholas Lanier oil painting

Painting ID::  39670

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Anthony Van Dyck
Nicholas Lanier
mk150 c.1632 Canvas 111x87.6cm
   
   
     

 

 

Anthony Van Dyck Facomo de Cachiopin oil painting

Painting ID::  39671

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Anthony Van Dyck
Facomo de Cachiopin
mk150 c.1628/9 Canvas 111x84.5cm
   
   
     

 

 

Anthony Van Dyck Prince Rupert of the Palatinate oil painting

Painting ID::  39735

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Anthony Van Dyck
Prince Rupert of the Palatinate
mk150 c.1631/2 Canvas 175x95.5cm
   
   
     

 

 

Anthony Van Dyck Crowning with Thorns oil painting

Painting ID::  40423

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Anthony Van Dyck
Crowning with Thorns
mk156 c.1620 Oil on canvas 223x196cm
   
   
     

 

 

Anthony Van Dyck Self-Portrait oil painting

Painting ID::  40425

X 
 

Anthony Van Dyck
Self-Portrait
mk156 c.1622 Oil on canvas 117x94cm
   
   
     

 

 

Anthony Van Dyck Marchesa Elena Grimaldi,Wife of Marchese Nicola Cattaneo oil painting

Painting ID::  40427

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Anthony Van Dyck
Marchesa Elena Grimaldi,Wife of Marchese Nicola Cattaneo
mk156 c.1623 Oil on canvas 242.9x138.5cm
   
   
     

 

 

Anthony Van Dyck King of England at the Hunt oil painting

Painting ID::  40447

X 
 

Anthony Van Dyck
King of England at the Hunt
mk156 1635 Oil on canvas 266x207cm
   
   
     

 

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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.